Day 3 collection was 5.20 million euros. This represents a 25.2% drop from the previous day’s 6.95 million, according to the Sacnilk website.‘Kara’s performance at the Indian box office so farOn its third day, ‘Kara’ collected Rs 5.20 crore from 3,820 shows. With this the net collection in India has reached 18.35 crores. The gross in India is 21.22 crore so far.The film opened with Rs 6.20 crore on Thursday. It then saw a slight improvement on Friday with 6.95 million. However, Saturday’s collection was down again.‘Kara’s worldwide numbers exceed 30 millionIn overseas markets, ‘Kara’ added 2.75 crores on Day 3. This takes the total overseas gross to 7.65 crore.Combined with domestic and international earnings, the worldwide gross now stands at 28.87 million. The film is approaching 30 million euros worldwide.However, the pace of growth remains moderate. The film will need stronger numbers in the coming days to improve its overall standings.Occupation and regional breakdown of protagonist DhanushThe film’s occupancy figures remained subdued on Day 3. In the Tamil version, the overall occupancy was 24.73%. Morning sessions recorded 13.23%, while afternoon sessions improved to 28.00%. Evening shows fell slightly to 23.15%, while night shows reached 32.62%.The Telugu version showed lower occupancy levels. The overall occupancy was 17.33%. The morning sessions registered 15.70%, while the afternoon sessions increased to 21.70%. The evening and night shows remained lower at 13.40% and 16.90%, respectively.State collections were led by Tamil Nadu with Rs 4.40 crore. APTG contributed Rs 1.00 crore, followed by Karnataka with Rs 50 lakh. Kerala and rest of India added Rs 7 lakh and Rs 5 lakh, respectively. The total gross of Day 3 was 6.02 crores.“Kara” follows the journey of a reformed thief who is forced to return to crime. The turning point comes when a bank takes over the ancestral land of his family.The film has received mixed reactions from audiences and critics. ETimes review of the film reads, “Where the film loses ground is in Dhanush’s engagement with the sentiment factory. Land, parents, husband, ancestral pride: similar shortcomings to her last Idli Kadai. Every emotional string is pulled, and after a while you feel the pattern more than feel it. Vignesh also loves his symbolism (and so does Dhanush), and there’s a discipline missing here that would have given more space to the more extravagant instincts to breathe. Because micro-predictability bites. Signals, glances, slow turns, most of which you can do three beats early.Dhanush is as reliable as ever here. It carries the weight of always being around. Mamitha Baiju has a little more than nothing. Suraj Venjaramoodu and Jayaram have similar levels of comic and serious depth. “DISCLAIMER: The box office numbers and data in this article have been collected from public and industry sources. All figures are approximate unless explicitly stated, providing a fair representation of the film’s box office performance. These totals are subject to change as official studio figures are updated or additional international market reports are finalized. We provide this data for informational and entertainment purposes only.
