Mohanlal’s film saw a healthy jump at the box office in its second weekend. The mystery drama continued the positive momentum with its theatrical run and recorded growth on Saturday. The film has now crossed another major milestone globally.
The weekend push helps in raising the collections
Mohanlal and Jeethu Joseph’s ‘Drishyam 3’ continued steadily after witnessing a slowdown on Friday. The film returned to growth mode on the 10th day.According to Sacnilk, the 10th day collection of Rs 5.05 crore showed a growth of 17.4 percent over the 9th day. It had brought in a collection of Rs 4.30 crores at the Indian box office the previous day.
‘Drishyam 3’s India collection crosses 91 crore nett
On Day 10, ‘Drishyam 3’ collected Rs 5.05 crore nett from 2,570 shows. With this, the film’s net collection in India has now reached 91.30 crores.The gross collections in India have increased to 105.94 crores so far. The first week ended strong with 81.95 crore collections. Day 8 brought in 6.65 crores, while on day 9 the collections dropped to 4.30 crores. Day 10 helped recover some of that decline.
The foreign market continues to perform strongly
The film collected 6 million euros overseas on its 10th day. This took the gross overseas collection to 113.75 crores. “Drishyam 3” has reached 219.69 crore worldwide. The film is steadily moving towards its next top box office target.
Kerala is the leader at the state level
Kerala remained the highest contributor among the countries. Kerala earned 4.35 crores in gross collections. Karnataka followed with 61 lakh. Tamil Nadu added Rs 35 lakh while Andhra Pradesh and Telangana added Rs 25 lakh. Rest of India market added 30 lakh more.Occupancy also showed stronger evening and night trends. Malayalam occupancy was 38.35 percent overall. Night occupancy touched 56.83 percent.
ETimes review
ETimes gave the film 3 stars out of 5 and our review said: “Jeethu Joseph tries to explore guilt, paranoia and psychological exhaustion more than suspense this time. The focus is not entirely on investigation or survival, but how violence continues quietly within relationships, memory and everyday life. Georgekutty’s greatest punishment is not prison, but the inability to live without fear.“At the same time, the film also reveals how cinema and society romanticise anti-heroes and to some extent glorifies them. Georgekutty is not projected as a criminal, but as an ordinary man who becomes a ‘superhero’ through intelligence and survival instincts. This emotional gathering becomes a social problem. The audience continues to justify violence, manipulation and what they do in the name of crime.“DISCLAIMER: The box office numbers and data in this article have been collected from public and industry sources. All figures are approximate unless explicitly stated, providing a fair representation of the film’s box office performance. These totals are subject to change as official studio figures are updated or additional international market reports are finalized. We provide this data for informational and entertainment purposes only.
