Prakash Raj he has entered the battle, taking aim Allu Arjun, Mahesh Babuand Jr. NTR On top of the rave reviews for ‘Dhurandhar: The Revenge’. The film starring Ranveer Singh has had a strong opening at the box office, despite mixed reviews. While many celebrities have praised the film, Prakash Raj took a different stance and questioned the trend of such public support. His comments have once again sparked controversy on social media.
Prakash Raj quote tweets viral message
In a post on his X (formerly Twitter), Prakash Raj reacted to a post on how actors like Allu Arjun, Mahesh Babu, Jr NTR, Jr NTR have been highlighted. Vijay Deverakondaand Ram Charan praised the film. He tweeted the message and wrote, “Signs of duty are spreading to the south as well… #justwondering.” His statement makes it clear that he believes that these praises are not entirely genuine. In another post, he shared a video with the caption, “Me bahut door (very far) from Dhurandhar. Are you (sic)?” indirectly moving away from the film and reception.
Prakash Raj challenges the trend
Actors like Mahesh Babu and Allu Arjun had earlier praised ‘Dhurandhar: The Revenge’. Mahesh Babu called the film “an explosion executed with impeccable precision”, while Allu Arjun described it as “an Indian story with an international twist”. Those accolades probably fanned the flames of anticipation. However, Prakash Raj suggested that the buzz might be coming from something other than positive reviews.
Controversies surrounding ‘Dhurandhar: The Revenge’
‘Dhurandhar: The Revenge’ has not been short of controversies, with certain factions objecting to its political undertones. Major Mohit Sharma’s (Ashoka Chakra) family had earlier raised concerns that the Dhurandhar franchise had borrowed from the martyr’s life and undercover missions without official permission. The Central Board of Film Certification (CBFC) eventually clarified that the film is a work of fiction, although debate over its inspiration continues to rage publicly. Prakash Raj’s statement suggests that these high-profile Southern patronages are not necessarily organic, but that the nods to the establishment or the massive industrial machinery that patronize the film are “forced”.
