Starring ‘Ustaad Bhagat Singh’ Pawan Kalyan continues in the hall with fixed amounts at the box office. The actor was released on March 19 during the Ugadi festival and has now exceeded 93 million euros worldwide. Despite the mixed reviews, the film is maintaining consistent collections at the box office.
12 update on the day of collection at the counter
According to Sacnilk, ‘Ustaad Bhagat Singh’ collected 1.10 crores on Day 9 (Second Friday). This was followed by 86 lakhs on day 10 (second Saturday). The film rose slightly again on Day 11 (second Sunday) with Rs 1.03 crore.With this, the total net collection in India stands at Rs 69.94 crore. The gross collection in India has reached 82.20 crores. Overseas, the film has collected 11.75 crores. This takes the total worldwide gross to 93.95 million on Day 12.
Continuous running despite a slower pace
Although the film opened to high expectations, the pace slowed down after the first week. However, the second weekend numbers show that the film still has some traction among the audience. Occupancy has remained between 20-22 percent on weekends.The film is now approaching 70 crores in Indian collections.
Story and core theme
Directed by Harish Shankar, the film follows a strong message-driven narrative. It tells the story of a tribal boy who grows up inspired by his teacher, who is named Bhagat Singh.As he grows older, he opposes injustice and takes on powerful enemies. Pawan Kalyan’s swag and screen presence are surely the highlight of the movie.
Actors and performances
Apart from Pawan Kalyan in the lead role, Sreeleela, Raashii Khanna and R. Parthiban in pivotal roles.The film has received mixed reviews. As ETimes notes, “Director Harish Shankar opts for a familiar commercial template where the hero’s ascension comes before the freshness of the narrative. The film repeatedly sets up Bhagat Singh to dominate the screen and to be fair, Pawan Kalyan delivers in those pockets. There are moments when his presence alone lifts the scene, reminding you why he continues to rule.” But between these moments, the film struggles to hold up. The first half moves along predictable lines, with comedy that doesn’t always land and sequences that feel more functional than engaging. Some elevation blocks work, but not enough to fully sustain interest.”DISCLAIMER: The box office numbers and data in this article have been collected from public and industry sources. All figures are approximate unless explicitly stated, providing a fair representation of the film’s box office performance. These totals are subject to change as official studio figures are updated or additional international market reports are finalized. We provide this data for informational and entertainment purposes only.
