Sobhita Dhulipala reused her Ponniyin Selvan jewelery for her wedding; designer calls Aishwarya Rai a “thorough professional” | Tamil Movie News


Sobhita Dhulipala reused her Ponniyin Selvan jewelery for her wedding; Designers Aishwarya Rai
Sobhita Dhulipala’s wedding look with Naga Chaitanya looked effortless and rooted in tradition, but it came with a story that started years before, on the sets of Ponniyin Selvan. The designer also spoke about his experience working with Aishwarya Rai Bachchan, emphasizing the level of precision the actress brings to her craft.

Sobhita DhulipalaHer wedding vision with Naga Chaitanya might have been effortless and rooted in tradition, but it came with a story that started years before, on the sets of Ponniyin Selvan.Jewelery designer Pratiksha Prashant has now revealed that what the actress wore on her big day was not just a style choice, but a promise she made long ago.

“He was very clear from the beginning”

Opening up about their collaboration, Pratiksha recalled how Sobhita had already seen her wedding look while working on the film.“She wore our jewelery in the film and then in her wedding. She was very clear from the beginning… she told me, ‘Pratiksha, I will wear your jewelery in the wedding,'” she told Fashionably in a chat with Pernia.For Sobhita, it wasn’t just about aesthetics, it was about continuity and personal meaning.Praising her sense of style, Pratiksha added, “Even in the film, she looked amazing. There’s something about her style. She’s very stylish and has very good taste.”

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Aishwarya Rai it’s not just like that

The designer also spoke about his experience at work Aishwarya Rai Bachchanemphasizing the level of precision the actor brings to his profession.“Aishwarya Rai is not like that. I have seen the precision she needs, with her dress, her style, her costume. Even with just one pin, she would not want to be seen in her hairstyle,” he said. Sharing a striking anecdote, Pratiksha revealed, “She’s precise in how she looks from every angle. A thorough professional. I remember a scene where she was given an organza dupatta: on the set, she didn’t sit for six-seven hours because she didn’t want it to wrinkle. I’ve seen it with my own eyes.”



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